French designer Marlene Huissoud has created a Festival Commission for Coal Drop’s Yard in King’s Cross, which emphasises the notion of unity and the importance of working together to repurpose and reconsider our shared environments as we emerge from the pandemic.

In this age of crisis, humans are developing individual bubbles where everything seems safer. Amidst this, designers are rethinking their role and how their practice needs to evolve to help support societies remain united, metaphorically if not physically.

Titled ‘Unity’, Huissoud invites visitors to stand in a circle 2 metres apart surrounding the installation. Controlled by footpumps, visitors will work together in a symbol of strength and hope, to breathe life into the piece. The installation begins flat on the ground, without perspective or depth. Participants involved will pump the system, slowly unveiling a new form as the installation transforms in shape in front of their eyes: growing, dancing, breathing, and revealing its full potential. If no one is pumping, the installation will deflate and loose its power and vitality. The installation has an intention to send a message of optimism: by standing strong together, we have the tools and power to create a better world and change the system. 

Supported by Coal Drops Yard.